| Johann Sebastian Bach (1685-1750) | ||
| Toccata und Fuge d-moll, BWV 565 | ||
| 1 | Toccata | 2'28 |
| 2 | Fuge | 6'30 |
| 3 | Wachet auf, ruft uns die Stimme, BWV 645 | 4'36 |
| 4 | Nun komm, der Heiden Heiland, BWV 659 | 5'17 |
| Pastorella, BWV 590 | ||
| 5 | I | 2'52 |
| 6 | II | 3'30 |
| 7 | III | 3'29 |
| 8 | IV | 4'39 |
| Dietrich Buxtehude (1637-1707) | ||
| Präludium, Fuge und Ciacona C-dur, BuxWV 137 | ||
| 9 | Präludium | 1'43 |
| 10 | Fuge | 2'17 |
| 11 | Ciacona | 1'38 |
| Gisbert Steenwick (?-1679) | ||
| 12 | Puer natus in Bethleem | 1'51 |
| (from: Klavierboek voor Anna Maria van Eyl, 1671) | ||
| Anonymous (16th en 17th century) | ||
| 13 | Wilhelmus | 1'03 |
| (from: Lenigrad Manuscript, ca. 1650) | ||
| 14 | Almande Brun Smeedelyn | 1'35 |
| (from: Susanne van Soldt Manuscript, 1599) | ||
| Jan Pieterszoon Sweelinck (1562-1621) | ||
| Mein junges Leben hat ein End | ||
| 15 | Variatio | 1'20 |
| 16 | Secunda variatio | 1'19 |
| 17 | Tertia variatio | 1'18 |
| 18 | Quarta variatio | 1'09 |
| 19 | Quinta variatio | 1'21 |
| 20 | Sexta variatio | 2'04 |
| Léon Boëllmann (1862-1897) | ||
| Suite gothique, op. 25 | ||
| 21 | I. Introduction - Choral | 2'09 |
| 22 | II. Menuet gothique | 2'47 |
| 23 | III. Prière à Nôtre-Dame | 6'05 |
| 24 | IV. Toccata | 3'32 |
| Josef Rheinberger (1839-1901) | ||
| 25 | Cantilene | 5'01 |
| (part II from: Sonate Nr. 11 d-moll, op. 148)) | ||
| Charles Marie Widor (1844-1937) | ||
| 26 | Toccata | 6'01 |
| (part V from: Symphonie No. 5 en fa mineur, op. 42/1) | ||
| Christian Müller organ of the Grote of Sint-Bavokerk in Haarlem (1-11 & 21-26) | ||
| Choir organ of the Grote of Sint-Bavokerk in Haarlem (12-14) | ||
| Hess organ of the Nieuwe Kerk in Haarlem (15-20) | ||
| Total time: | 77'35 |